Tag Archives: Social media

HerStory Scotland? Yes, but under a different name

Idly scrolling through Twitter, an account called Herstory caught my eye.  It’s owned by Alice Wroe, a London feminist artist.

 Herstory
@herstory_uk
Herstory- set up by @alicewroe uses feminist art to engage people with the women’s history absent in the curriculum.
London

Being naturally inquisitive, I had to find out who Alice was:-

Alice Wroe

@alicewroe

Feminism / Art / Education. See my project @herstory_uk

Peckham

It got better.  HerStoryIreland spotted my retweet, so I thought I’d see what was happening over there, too:-

herstory

@HerstoryIreland

Herstory is a new cultural movement created to tell the lost life stories of extraordinary women from history and today.

Dublin City, Ireland  ·  herstory.ie

So the obvious question was, what about Scotland and Wales?  We certainly do study women’s history ‘over the border’ – and although there isn’t a Twitter @HerStoryScotland, there is Women’s History Scotland @womenshistscot, not to mention the amazing Glasgow Women’s Library @gwlkettle.  (I must admit I’ve never really thought about what goes on in Wales, as regards feminism or feminist history. Shocking, considering my Welsh Borders ancestry, but I have only ever lived there for one academic year.)

I keep an eye on the Women’s History Scotland group activities, but I’m already 11228598145_661aa7a45d_zjuggling being a music librarian, musicologist and PGCert online student, so I’m a bit pushed for time at present.  Women’s place in history is an interest of mine, but not my main focus.  My current research is into historical music copyright collections.  From time to time, this does lead me to think about women involved with music.  In my doctoral research, I encountered early 19th century song-collectors in the Hebrides, and more recently I’ve discovered a lady music cataloguer in early 19th century St Andrews, and a deserted Scottish mother who supported herself and her daughter in London by teaching and composing harp and piano music. She also sold her deceased, deserting husband’s compositions (nice work, Sophia!), and established a music school with her second husband.  Quite a lady.   (Oh, and there was the English lady concert promoter who tried to get in on the first Edinburgh Musical Festival.  She didn’t get anywhere.) Then there were my English lady song-composers who set songs about the pastoral life, romance, sensibility … and the Napoleonic Wars!

Meanwhile, in my capacity as music librarian, I’ve boosted our stock of books about women in music, historical or otherwise, in the past year or so.  And I have research colleagues outwith the library, who study women in music whilst simultaneously composing music, and suffragette women in politics whilst animating live theatre events.  But this is just in my small corner of Western Scotland.  There is bound to be lots more activity that I don’t even know about.

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Copac and RISM – a natural friendship

I’ve been conversing with two bibliographical organisations via Twitter this week.  Things are looking very promising, so I decided to make a Storify of the dialogue so far. I’ll reproduce the introduction here, but you can read the rest on Storify:-

As a musicologist of 18th-19th century British music, and also a music librarian, I think it would be fantastic if all early English printed music indexed by RISM, had those RISM numbers entered in COPAC catalogue records. I have recently started the conversation via social media….

Professional Engagement – Part of my Identity!

Piano badge
Conference badge (Library Camp Glasgow)

The past month has been something of a whirlwind!  I’ve been to four conferences, been to a seminar, convened a plenary, had a couple of pieces published in the IAML(UK and Ireland) Newsletter, and done the blogposts you see here.  What I haven’t done is update my CPD record on my professional association’s virtual learning network.  Not that I haven’t done any CPD (as you see, I’ve done plenty!), but because I’ve had no time to do the updating!

  • 20-21 October: Understanding Scotland Musically, AHRC-funded conference at the University of Newcastle.  I gave a paper: ‘Wynds, Vennels and Dual Carriageways: the Changing Nature of Scottish Music’.  Subsequently invited to submit abstract for proposed book.
  • 25 October (Saturday): Musical Life outside London, 1500-1800, University of Newcastle.
  • 29 October: Seminar at the University of St Andrews (as invited guest, not speaker).
  • 6 November: Convened SALCTG Plenary at Glasgow Caledonian University.
  • Glasgow Mitchell Library8 November (Saturday): Library Camp Glasgow, Mitchell Library.  Gave presentation, ‘Do you Practise what you Preach?’, and one-minute rant, ‘Diigo and Me’.
  • 11 November,  IAML (UK and Ireland) Newsletter: no.69, 2014, pp.14-16,  ‘Raising the Bar: a Targeted User Education Policy’; also my report of the IAML Conference in Antwerp this July: ‘Ian Ledsham Bursary Recipient Report, pp. 4-7.
  • 13-15 November: ELIA Biennial Conference (European League of Institutes of the Arts, at the Royal Concert Hall.NeuNow2014 henhouse exhibit

Clearly, I need to sit down and read through the notes and tweeted observations I made at this week’s big conference, not to mention updating my CV with the presentations I gave, and so on.  Right now my brain feels a bit like your stomach feels after Christmas dinner.  Lots of good stuff to digest, but in danger of indigestion!