Something came up on my Twitter feed this evening – it looked interesting, so I’ll share it here, and read it when I’ve got a spare minute later on this week. It’s about e-portfolios, and it’s from our friends at Jisc. (They’re the team who ran Copac before upgrading it to Jisc Library Discover, earlier this summer.)
Case studies and guidance on e-portfolios for UK further and higher education (July 2019)
I believe I may have mentioned that one of our sons suggested I should follow his example and turn my CV into an Issuu e-publication – well, I did do that, but I wonder if we’ll be revising our efforts after I’ve looked at this!
Someone close to me suggested that Issuu would be a good platform on which to host a CV, so I tidied mine up and did as suggested! I think it does show that I’ve been quite research-active, given that I’m only a researcher 1.5 days a week. Sometimes I look at other people’s profiles and feel that I really haven’t done very much – but I’m NOT full-time faculty, or a tenured academic, and I have to remind myself that most of what I’ve done has been fitted in around a different career-path, mainly during the decade since I graduated with my mid-career PhD.
I suppose that makes me “alt-ac”, though I’ve never really embraced that concept. I’m as “ac” as my limited research time allows me to be!
Dr Karen E McAulay CV 2019
If I were a young American academic, I’d be writing frantically in my efforts to secure tenure. But I’m neither young nor American, and I identify both as a librarian and an academic: I sit on the fence between music librarianship and musicology.
Despite all this, I feel it’s good for my academic profile to get as much published as possible, so with that in mind, and the fact that only 40% of my work-life is spent on research, here’s my 2015 retrospective. To put it in context, October saw the end of my Bass Culture postdoc secondment, so I was busy finishing off that, and writing/speaking was often centred on the project and its resultant website. Public engagement seems to be a regularly recurring theme, which pleases me. There’s no point in doing research if it stays locked up in an ivory tower.
- ‘Wynds, Vennels and Dual Carriageways: the Changing Nature of Scottish Music’, chapter in forthcoming book edited by Gary West and Simon McKerrell, Understanding Scotland Musically (pending)
- Scottish Musical Review (pending) ‘Scottish Airs in London Dress: Vocal Airs and Dance Tunes in Two 18th Century London Collections’
- Box & Fiddle Magazine 39.1 (Sept 2015), 7, ‘Bass Culture in Scottish Musical Traditions’
- Post-Lib (CILIP Retired Members Guild) no.76 (1 June 2015), 3-4, ‘From Where I Sit’
- Reference Reviews (pending), ‘Show me a Strathspey: Taking Steps to Digitize Tune Collections’ http://www.emeraldinsight.com/loi/rr
- Fontes Artis Musicae Vol.62.1 (2015), 17-25, ‘Following the Bass: a New Digitisation Project for Scottish Fiddle Tune Resources’
- Library Review Vol.64, Iss.1/2, (2015), 154-161, ‘Sexy Bibliography (and Revealing Paratext)’ http://www.emeraldinsight.com/doi/abs/10.1108/LR-09-2014-0104
- Reference Reviews, Vol.29 no.3 (2015) 41, Review of Nardolillo, Jo, illustrated by T. M. Larsen and edited by David Daniels, All Things Strings: an Illustrated Dictionary (Lanham: Rowman & Littlefield, 2014)
- Reference Reviews, Vol. 29 no.1 (2015) 47-49, Review of Collins, Irma H., Dictionary of Music Education (Lanham: Scarecrow Press, 2013), DOI http://dx.doi.org/10.1108/RR-07-2014-0186
- Times Higher Education. What are you reading? 9 contributions to this column since 2012.
PAPERS AND TALKS
- Scots Fiddle Festival, Edinburgh, ‘Fiddle books by the dozen’ (Nov 2015)
- Edinburgh Central Library, ‘An Entertainment Altogether New: a celebration of Edinburgh’s First Musical Festival’ [Bicentenary of the first Edinburgh Musical Festival held between 30th October and 05th November 1815] (Oct 2015)
- Royal Conservatoire of Scotland Exchange Talk: ‘Common Threads: From Sacred to Secular, Ancient to (nearly) Modern’ (Oct 2015)
- Dundee Central Library, Speaker at Friends of Wighton series of Cappuccino Concerts: ‘The Importance of the Wighton and Jimmy Shand Collections’ (Sept 2015)
- University of Glasgow, Speaker at Robert Burns Song Project Symposium (September 2015)
I was looking at someone else’s website the other day. If I thought I had a lot of postnominals, they had – ooh, easily three times as many, the whole width of their web-page. They were Fellows of a vast number of societies, only one of which I’d ever heard of. Now, not all Fellows are equal: I worked hard to attain my FCLIP, and was elected into the Society of Antiquaries of Scotland. The academic, music and librarianship qualifications were all earned after a lot of blood, sweat and tears. However, it set me wondering. There’s a place for postnominals, but maybe one can overdo it. Suffice to say, for the first time I found myself embarrassed, not because I’m well-qualified, but because those hard-earned postnominals may come across as showing off – an almost paranoid demonstration of one’s own worth. Or am I becoming tainted with the Scottish “I kennt his faither” tendency, which basically translates as “who do they think they are?”