Bonny Scot Returns to Scotland

Today’s anthem was sung by a quartet of voices rather than the choir – just for a change.  The piece started life as an 18th century flute tune before I set to work on it!  I don’t think the congregation had ever heard a harpsichord effect, on the Clavinova before – I thought it was remarkably effective for accompanying four singers in a tune from that era.  So, what we had was an Anglo-Scottish flute tune called ‘The Bonny Scot’, first published in London in the early 1700s, turned into a sacred anthem by an Englishwoman for performance in Scotland.  Work that one out!

Someone asked me afterwards what the piece was.  I summarised by explaining that the soprano sang the original flute tune, the alto and baritones sang my accompaniment, and the words were taken straight from another hymn with a suitable meter!

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